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Dino Rachiele Journal
Reflections on Sink Design, Craftsmanship, and the Modern Kitchen

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The Table Was the Point

  • Writer: Dino Rachiele
    Dino Rachiele
  • 2 hours ago
  • 5 min read

This past Saturday I woke up at 4:00 in the morning and could not go back to sleep.

I had a story in my head that I needed to write down. Not a business story. A personal one. One that I realized, lying there in the dark, finally explains why I have spent 27 years doing what I do.

I got out of bed and started writing.


I grew up in Chittenango, New York - about four hours from my grandparents' home in Peekskill, New York.


Four hours felt like nothing when you knew what was waiting.

Dino Rachiele at age 14 with cousin Stanley Tucci at their grandparents' home in Peekskill New York 1967
My 14th birthday at our grandparents' house in Peekskill, 1967. That's me in the orange shirt with my arm around my cousin Stanley Tucci. The same kitchen where we all learned what a meal was supposed to feel like

We visited many times a year and those trips were not obligations. They were the highlights of my childhood. I can still feel the anticipation of pulling up to that house knowing that many of my cousins would already be there - Pierre, Maria Pia, Jeffrey, Stanley, Gina, Christine, Tommy, Edwin, Cathy, Eric, and Donna. The kitchen would be going.

The day would be long and full and loud in the best possible way.

Cooking started early. The meal itself might not happen until mid-afternoon. In between, cousins played outside while the adults worked in the kitchen - but nobody was in a hurry and nobody was keeping score. The food was not the point.

The gathering was the point.

After the meal, something happened that I have never seen in most American homes.


Nobody left the table.


The adults cracked nuts and passed them around. When peaches were in season, someone would slice them, drop them into their glass of wine, and let them soak before eating them slowly. We children were always allowed to eat the peaches. Stories came out - old ones, funny ones, ones that made my great uncle tear up every time he heard them. My Uncle Stanley played the ukulele and the adults sang along.


Those evenings spilled out across different homes depending on who was hosting. At my Uncle Frank's house, his wife Teddy - an extraordinary cook by any standard - would set a table that felt different from anything else. My father was an accomplished pianist and when there was a piano in the room he would sit down and play Chopin. Everything would go completely quiet and still until the last note faded, and then everyone applauded. My great uncle would tear up every time. He loved listening to my father that much.


We children stayed through all of it. Not because we were told to. Because we did not want to leave.


None of my friends had anything like this. I knew it even then. I felt genuinely sorry for them - not in an arrogant way, but in the way you feel sorry for someone who has never tasted something extraordinary and does not even know what they are missing.


I will give you one number that puts it in perspective. At our first cousin reunion, we had ninety people. We reserved a park with a large hall, a kitchen, and cabins where everyone slept. Ninety first cousins who all grew up around versions of the same table, the same meals, and the same long evenings where nobody wanted to leave. That is not a family. That is a culture. And it was built entirely around food and the people who prepared it together.


Timpano and the Bowl

Timpano - the centerpiece of Tucci family holiday meals, as featured in the 1996 film Big Night starring Stanley Tucci
Timpano - the dish our entire family gathered around. Stanley later introduced it to the world in Big Night

The centerpiece of the most special meals was Timpano - a deep, magnificent dish that took most of the day to prepare. My cousin Stanley later made a film about it called Big Night, released in 1996, and the world got a small glimpse of what that dish meant to an Italian family. But the film could only capture so much.

What I remember most is the moment the large pot was flipped over. Everyone leaned in. The crust either held or it did not. It almost always held. And then came the hardest part - waiting for it to set before anyone could cut into it. The anticipation in that room was something I have never felt anywhere else.

Those large, metal porcelain bowls with the red trim around the rim were considered valuable commodities in our family. Everyone knew which bowl made the best Timpano. Everyone wanted to be the one holding it.


What I Have Been Trying to Build Ever Since


I have spent 27 years designing custom kitchen sinks. People sometimes ask me why I care so much - why I lose sleep over drain placement and ergonomic depth and the width of a ledge system.


The honest answer is Peekskill.


I am trying to help people build what I grew up with. Not the recipes - those are just the vehicle. The gathering. The table that nobody wants to leave. The kitchen that pulls people in instead of pushing them out.


Recently, I was speaking with a customer who is building a second home specifically for family gatherings. She wants a very large sink in the island. When I described what I grew up with, she went quiet for a moment and said, "That is exactly why we are building this home."

I have another past customer who built a massive home - not for themselves, but for their children and grandchildren. They wanted one place large enough to hold everyone, with a kitchen designed so that the cooking and the gathering happened in the same space. The entertainment was not a separate room. It was the kitchen itself.


These people understood something that is becoming increasingly rare.

We live in a time when children and grandchildren sit at the table staring at phones. When meals end in minutes and everyone scatters. When families share a house but not a room. I do not say this to judge anyone. I say it because I see the hunger for something different in almost every conversation I have with customers. They feel the loss even if they never had what I had. They are building toward something they can sense but have not yet fully experienced.


That is what a workstation sink is really about - at least the way I design them.

When the sink is in the island, whoever is cooking stays connected to the room. Prep happens where the conversation happens. Cleanup does not mean retreating to a corner with your back to everyone. The person at the sink is still part of the gathering.


Before I had a workstation sink, I still loved to cook, but cooking was a chore, and cleanup was even worse. Now it is efficient and genuinely enjoyable. My customers tell me the same thing consistently - using the sink is fun. That is not an accident. That is the whole idea.

My grandparents never had a workstation sink. But they understood something that the best kitchen design tries to honor: the meal is just the beginning. What happens around the table afterward - the stories, the music, the laughter, the long slow evening that nobody wants to end - that is the thing worth building toward.


That is what I am still trying to give people.


That is why I answer my phone seven days a week.


If you are building a kitchen meant to bring people together, I would enjoy that conversation.


PS Last night I read it to my 97-year-old mother over the phone. We both cried a little. Then we reminisced for almost an hour about people and evenings neither of us had talked about in years.

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